Interdisciplinary Photographic Artist

Between Observation and Imagination

The process is both analytical and intuitive. I am interested in the tension between detail and abstraction—the moment when a recognisable form begins to shift into something more ambiguous and emotionally charged. My background in large-scale photographic installations and research-led projects has shaped my approach to image-making. Years of working with ecology, heritage and public engagement have deepened my understanding of how visual narratives can connect people with the world around them. The resulting works are carefully constructed compositions that retain a sense of physical detail and craftsmanship while inviting multiple interpretations. Through this practice, I seek to create images that encourage slower looking—revealing new ways of seeing familiar forms and reconnecting with the beauty, complexity and fragility of the natural environment.

My work explores the space between observation and imagination.
I am fascinated by the way images can hold memories of places, encounters and moments in time. Through photography, digital composition, collage and painterly processes, I transform fragments of the natural world into layered visual experiences. My practice begins with looking closely: walking, observing, collecting and photographing. Natural forms, particularly plants and seasonal changes, become starting points for exploration. These images are then reworked through a combination of digital layering, collage and physical intervention, allowing new relationships and unexpected compositions to emerge.

Two Decades of Practice

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